Erklärung
von Davos
2018

About

Every one of us is part of the Baukultur. We shape the designed living environment, and it shapes us. The question of high-quality Baukultur is therefore also always a question of: “How do we want to live?” And: “How do we solve pressing social challenges?”

The “Baukultur Switzerland” web platform fosters discourse on the designed living environment. It links actors from the local to the international level and is conceived as a platform for knowledge, exchange and inspiration.

The web platform is a project in the making. Behind the “Baukultur Switzerland” website are the Swiss Baukultur Round Table (founded in 2010), the Swiss Society of Engineers and Architects (SIA) and the Federal Office of Culture (FOC).

The core participants of “Baukultur Switzerland” include:

Claudia Schwalfenberg
Swiss Society of Engineers and Architects (SIA)
Head of Core Issues Dept.
Responsible for Baukultur

Anne Pfeil
Federal Office of Culture (FOC)
Head of Policy and Projects

Caspar Schärer
Federation of Swiss Architects (BSA-FAS)
Secretary General

Regula Steinmann

Regula Steinmann
Swiss Heritage Society (SHS)
Head of Baukultur

Norbert Russi
EspaceSuisse
Team Settlement Development Consultancy

Patrick Schoeck-Ritschard

Patrick Schoeck-Ritschard
Association of Swiss Landscape Architects (BSLA)
General Manager

Eveline Althaus
Archijeunes
Managing Director

Andrea Schaer
National Information Centre for Cultural Heritage (NIKE)
Research Fellow for Politics and Continuing Education

Daniel Klos

Daniel Klos
Swiss Society of Engineers and Architects (SIA)
Specialist for Core Issues, Baukultur and SIA Master Prizes

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Baukultur Switzerland - case studies, Baukultur examples
Kapelle Santa Maria Degli Angeli ein Sakralbau am Monte Tamaro

Santa Maria degli Angeli, Monte Tamaro – mountain chapel with a view

Baukultur Switzerland2022
© Christian Flierl

Governance

Who is responsible for maintaining the quality of the place?

Governance

Who is responsible for maintaining the quality of the place?

In the 1970s, the Ticinese entrepreneur Egidio Cattaneo was one of the promoters of a cable car up Monte Tamaro. In the 1990s, Mario Botta was commissioned by the entrepreneur to design the Santa Maria degli Angeli chapel on the same mountain. Egidio Cattaneo dedicated the church in memory of his wife, who died at an early age. The chapel, which is open to the public, is maintained by Fondazione Egidio e Mariangela Cattaneo – a foundation run by his children.

Functionality

Does the place have low traffic?

Functionality

Does the place have low traffic?

The chapel, built at 1530 metres above sea level, can be reached on foot or by cable car from the village of Rivera. The Alpe Foppa on Monte Tamaro is an excursion destination with various leisure activities, a restaurant and the chapel, which serves both as a vantage point and a sacred space. The place is surrounded by meadows, hiking trails and bike trails – cars are not allowed.

Environment

Does the place demonstrate responsible land use?

Environment

Does the place demonstrate responsible land use?

The Alpe Foppa on Monte Tamaro is an excursion destination geared towards hikers and families. The various activities are concentrated around the cable car’s mountain station and middle station. The chapel is a compact, elongated building that does not immediately reveal itself as a sacred space. It looks like it could also be a fortress or a water reservoir. Two paths lead to the chapel’s interior – a 65-metre-long path on its roof and, just below, a long covered walkway. At the end of the roof, the path leads over multiple cascades of steps to the prayer room below.

Economy

Will the place remain attractive in the long term for living, working, leisure and/or tourism?

Economy

Will the place remain attractive in the long term for living, working, leisure and/or tourism?

The chapel by the famous Ticinese architect Mario Botta and the Italian artist Enzo Cucchi is a major factor in drawing tourists to Monte Tamaro. Santa Maria degli Angeli resembles a ski jump on the edge of the mountainside, affording an exceptional panoramic view.

Diversity

Does the place bring different people together?

Diversity

Does the place bring different people together?

Both the chapel and the entire place around the Alpe Foppa are visited by locals, tourists, families and senior citizens. Because the cable car runs from spring to autumn, it is especially during this time that different people and social classes meet on the mountain to enjoy the incredible panoramic view and to momentarily escape the towns on the plain.

Context

Is the place in dialogue with the landscape, urban fabric, colours and materials?

Context

Is the place in dialogue with the landscape, urban fabric, colours and materials?

As if wrested from the mountain, the stone chapel of Santa Maria degli Angeli perches high above Lake Lugano. The building’s elongated ramp leads from the mountain slope like a processional way to the roof of the lower-lying cylindrical chapel. From here, visitors enjoy a stunning view towards Lombardy. Two symmetrically configured cascades of steps lead down from the roof to the intimate prayer room below.

Sense of Place

Are local, regional and historical values integrated into the design and management of the place?

Sense of Place

Are local, regional and historical values integrated into the design and management of the place?

Santa Maria degli Angeli is built of concrete and porphyry, the stone of Monte Tamaro. The architect has used roughly hewn blocks that are stacked like bricks. As a result, the building shimmers in the natural colours of its surroundings. Inside the chapel, the furniture consists of wooden planks made of laminated strips. The artistic design by Enzo Cucchi encompasses the two main chambers. In his fresco behind the altar, he depicts two large white hands on a dark blue background. The light penetrating from above falls exactly on the painting and creates the impression that the hands are about to receive something.

Beauty

Does the place have an atmospheric impact on the beholder?

Beauty

Does the place have an atmospheric impact on the beholder?

The rough, powerful beauty that characterises the sacred building is derived in part from its simple form and in part from its façade of rough-hewn stone. The horizontal gesture of the bridge dramatises the steeply descending mountainside, and the circular geometry of the chapel contrasts with the savage landscape.